1. Updated Zoom Uac-8 Audio Converter Firmware 1.10 For Mac Download

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Day one New school Thunderbolt Interfaces with Mac latest Yosemite OS Mac Book Air 2014, I5, 13inch (Used around 650 Euro) 4 gig Ram UAD Apollo Twin Solo (700 Euro) Zoom Tac-2r (340 Euro) Old school Pci(express) interface with PCI and W7 My trusty 4,5 year old Rme Aio (550 Euro) with my 2,5 year old I5 with Asus Mainbord running W7/64 Bit And TD30 direct to PC/Mac conncetion Will compare 1. Sound quality via Monitors and Headphones Outs headphones Shure 1540, 840, Akg 271 mkii Monitors Adam s3x-h 2. Latency with usable buffer size 3. Connectivity How much outs how much ins midi all connected with a Td 30 running Bfd3 with Platinum Henry Hirsh Pack (imho best bfd3 expansion) Will also compare Roland's Usb connection inside Td30 First impression UAD Apollo is quite heavy and bulky, it is not!

Thunderbolt buss powered (zoom is only buss powered and has Midi in) so it needs additional power supply, gets hotter, higher built quality seems better, no midi in. 8 additional inputs can be added via lightpipe, so you will have 10 inputs, zoom has only 2 inputs. So no field recording with UAD Apollo, it also seems to affect the mac air running time, 1/3 less. Gave them a first listen through Shure 1540 (sound wise a bit in the Sennheiser 650 realm) with Get Luck (Daft Punk), D´angelo (How does it feel), Nils Wogram On 52nd Street The headphone out of the Zoom (quite flat sounding) lacks big time compared to the apollo, which is very 3d and solid sounding, apollo seems a bit louder, boith have enough volume available. BTW you can actually hot swapping the thunderbolt interfaces to each other while listening, quite cool, only 15 seconds interruption until it they are connecting again. Quite stable performance on mac, no dropouts. Day 2 Compared audio quality of RME AIO vs ZOOM vs UAD Apollo Headphone out Daft Punk: Get Lucky, Black Keys: next girl Yo Yo Ma plays John Williams David Murray: Banished Sound Quality Ranking Bass 1.

Apollo: solid, clear, textured, 3d 2. Zoom solid, clear, flat 3.

RME AIO: quite blurry Treble 1. Apollo, a little extended in a good silky way 2. Zoom, a little extended 3. Dull Depth Apollo clear winner Zoom slightly better than RME, probably due to better highs Noise RME AIO Headphone out is definitely noisier, always a disadvantage using internal interfaces with headphone out. So clear Winner UAD Apollo, quite astonishing how good it sounds, I am impressed Zoom is clearly superior to RME AIO Means to improve sound quality?

Apollo: None, since there is no optical out to connect another digital analog converter with dedicated headphone Zoom: as above, none RME: yes optical out, you can connect other DA Converter and use their sound, like Mytek, Benchmark, the little noise issue (only noticeable when quite loud) is also cured. Disadvantage expensive, not sure which DA matches the Apollo Twin Quality, but there are a lot around. Keep in mind, if you use a better DA for RME AIO or 9632 you have to connect it through optical, otherwise you will loose the cool PCI performance Conclusion: Quite clear DA Quality has improved over the years, you pay for it, if you want superior sound. Loading BFD3 on Macbook, now it gets interesting.stay tuned, will thunderbolt´s latency match or even surpass RME AIO performance. Will be very interested to see your comparison results and what this translates to in real world performance esp the Thunderbolt interfaces vs Roland TD30 USB. Often numbers are quote by people performing latency tests but whether there is any real perceptible difference between 5ms and 10ms latency is another thing. Would also be quite good to compare some other FW/USB interfaces with the Thunderbolt to see if there is actually any perceptible difference.

Worth also noting that the UAD Apollo Twin does not have any MIDI inputs. 'Often numbers are quote by people performing latency tests but whether there is any real perceptible difference between 5ms and 10ms latency is another thing. ' Most people get wrong values, some interfaces do not show real latency numbers, some latency tracker software does not work correctly under some OS. Having the RME AIO (which was one of the very few interfaces actually working flawlessly!!!! No crackles playing drums with buffer 32), I definately feel a difference playing my TD12 through it and changing the buffer from 32 to 64 size on the RME Driver Panel, which is like getting above 7-8ms (whole drumming chain). Please notice I had a short vacation, today I succeeded to update my TD30 to the latest firmware, my mac is not working with BFD3 right now, everything installed, activated, but no sound, latest software and OS.

Contacted support Fxpansion and Platinum Samples! Will try tonight, to get it work, tests with guitar VST indicate, that the apollo twin seems to be clearly slower (working natively, their DSP is incredibly fast), it does not!!! Work at all on 32 buffer, the quite cheap Zoom TAC-2r seems to be the only external interface (i know) which can eventually compete with the AIO/9632, we will see. How will TD30´s USB interface compare to them???? Stay tuned, in the meantime you can read some mythbusting, old but important, read it, also conclusion. Will the king be dethroned???

Fun Facts: The Apollo seems to be working standalone, i.e. Improving the sound of the RME AIO connected via optical in, working as a pristine Headphone amp, compared it very briefly with an expensive benchmark DAC 1, very impressive! Hi Ribot, Thanks for undertaking this venture. As an end to end test, I'd suggest using a microphone, positioned to pick up the sound of: - a pad being hit - the sample being played by the VST software through headphones or speakers The audio from that microphone can then be analyzed in Audacity (or similar) so you can measure the latency between the pad being hit and the sound being played. So long as you don't change any other factors/equipment other than the interface between experiments, we can still measure the relative difference between the interfaces. Thanks for undertaking this venture. No problem bro, also interesting for me, since nothing has happened to cut latency for 10 years.

As an end to end test, I'd suggest using a microphone, positioned to pick up the sound of: - a pad being hit - the sample being played by the VST software through headphones or speakers The audio from that microphone can then be analyzed in Audacity (or similar) so you can measure the latency between the pad being hit and the sound being played. So long as you don't change any other factors/equipment other than the interface between experiments, we can still measure the relative difference between the interfaces.

As mentioned in another thread will do this exacly this way, so it is compareable und trustworthy. But the roland TD30 USB Midi feels horrible, can say that without measuring. In your previous experiment of RME AIO alone (MIDI out on TD30 to MIDI in on RME) did you connect the headphone out on the RME to the TD30 or did you connect your headphones to the RME headphone out? I understand that the latency of the audio signal in the extra wire is miniscule but who knows what Roland decided to do inside the module. No, the Td 30 or Td12 (which I had 4 years) was/is only connected via normal midi cable, my headphone connected directly to RME´s headphone out (backside of my computer). Yes, performance will vary between USB host controllers.

Best to try others ports on your machine, including USB3 ports. Will try, will also disable RME AIO in device manager, and completely remove it from my computer, that there is no conflict between these devices. What's the smallest buffer size that works with TD30 USB - BFD3 standalone Way above 144 buffer on PC.we will see. BFD3 works now on my macbook, the Fxpansion Team and Platinum Sample guys reacted immediately.it was my fault, I disconnected the UAD Apollo and tried to play BFD3 with my mouse through the Mac Air Speakers, although I changed the playing device in the Audio manager, the UAD driver somehow killed BFD3 performance/sound, Itunes worked. I shut my system down yesterday, today there is no apollo drive (it is not attached) in the audio panel of the mac air, BFD3 works!!!!!! Great, looking forward to try it. Gave it a run with zoom tac-2r, mac air and BFD standalone connected with normal midi in (Zoom) and midi out on TD30, there is something not working, it plays with very low buffer but almost every 7 seconds there is a loud boost of the drum played, definately not normal, never heared this behavior before, not the tiny glitching effects associated with little buffer.

With guitar and vst this does not occur. Checked Power supply on mac, booted again, turned off power saving and turned off wireless. There is only Zoom in the audio setup. Right now I cannot recommend Zoom for E-Drumming. The potential of thunderbolt is there, but the implementation lacks.

Will borrow a RME USB Interface to check, if there is something faulty on this mac. Not true anymore, my fault it is working (read on). Gave it a run with zoom tac-2r, mac air and BFD standalone connected with normal midi in (Zoom) and midi out on TD30, there is something not working, it plays with very low buffer but almost every 7 seconds there is a loud boost of the drum played, definately not normal, never heared this behavior before, not the tiny glitching effects associated with little buffer.

With guitar and vst this does not occur. Checked Power supply on mac, booted again, turned off power saving and turned off wireless. There is only Zoom in the audio setup. Right now I cannot recommend Zoom for E-Drumming. The potential of thunderbolt is there, but the implementation lacks. Will borrow a RME USB Interface to check, if there is something faulty on this mac. Any ideas?What version of OS X are you using?

Are there any drivers you may need to update? Have you tried running your drum VST in DAW software such as Logic/Cubase/Reason etc.? Does the effect change when the buffer is changed? Is the phantom power setting in use? Hi Ribot, Just wanted to let you know that I hooked up my TD25 to my PC using a USB cable and am getting excellent results triggering samples in addictive drums 2 on Win 8.1.

I'll post the settings when I get home but it's very playable. I am not perceiving much lag.

I suspect you still need to find better USB ports on your PC or you are having some other issues but I think you should be able to get it working to a playable level without resorting to a MIDI cable and expensive audio interfaces. Edit: In Addictive Drums 2 I am configured to use the ASIO driver for my Asus Xonar D1 sound card. In the ASIO control panel of the sound card it is set to 24-bit 1ms latency. AD2 is set to output 44.1 kHZ @ 48 samples (lowest setting) and does not glitch. This is extremely playable. I would not complain at all, even for a live playing, but only a gig will tell.

What version of OS X are you using? Are there any drivers you may need to update? Have you tried running your drum VST in DAW software such as Logic/Cubase/Reason etc.? Does the effect change when the buffer is changed? Is the phantom power setting in use? I am using the latest driver, OS Yosemite, phantom power was indeed activated, deactivated it. Great news, it was my fault, the Zoom with Mac Air performs now incredible!!!!!

With 64 Buffer and 44,1 kHz without glitches, which results in a very very low latency indicated on reaper´s latency/setup/audio panel If the unusual random volume boost (like an explosion) was due to the UAD console not completely unloaded, or caused by midi sync problems in the configuration menu. I will give you feedback, have to look into it. Sorry Zoom Guys.my fault! You probably did a great job.

It will get very interesting to measure real latency values with mic. Contenders (these are working settings without crackles) RME AIO with i5 PC buffer 32 on 44,1 and 48000khz Zoom TAC 2r with Macbook Air with working buffer 64 on 44,1khz Roland Td30 (acting as a sound interface, i.e. Connected with Roland USB to Midi cable to Macbook Air) with working buffer 32.

Will measure probably tonight. Stay tuned!!!!

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Three Ways to Record STEREO MODEuses the built-in X/Y microphones (or external mics) and is convenient for recording live performances, acoustic instruments, dialogue, and more. In4CH MODE, you ca. Remote Control Use the optional RC4 remote to control the H4n Pro. The RC4 allows you to start and stop recording, fast forward and rewind through your files, switch the input source, and set recordin.

Supported File Types The Pro records audio in both WAV and MP3 formats. It supports 16- and 24-bit WAV audio at sampling rates of 44.1, 48, or 96 kHz. The WAV files are automatically time-stampe.

Score: 2018-12-16 17://///////////////////////////////////////////09/01. Score:-12-14 01:28:21 Louder. X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo record. The Hardware Ins & Outs In addition to standard transport controls (stop, play/pause, record, rewind, and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each t. The Software File types The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tr.

Score:8491 2018-12-14 01:/10/11 SGH-6 Shotgun Mic Capsule EXH-6 Dual XLR/TRS Combo Capsule XYH-6 X/Y Mic Capsule MSH-6 Mid-Side Mic Capsule HS-01 Hot Shoe Mount Adapter WSU-1 Universal Windscreen PCH-5 Protective Case APH-5 Accessory Pack includes RCH-5 wired Remote Controller, AD-17 USB-type AC adapter, and Hairy Windscreen Video of Zoom H5 Product Video (Extended Version) H5 Product Video Video of Zoom H5: How to update firmware Zoom H5: How to update firmware This tutorial goes over how to update the firmware on the Zoom H5. Video of Zoom H5: Input and Output tutorial Zoom H5: Input and Output tutorial This tutorial goes over the various input and output settings on the H5. Video of Using your Zoom Recorder with a DSLR Camera Using your Zoom Recorder with a DSLR Camera Connect a Zoom Handheld Recorder to your DSLR camera to add professional quality audio to your films. Score:620 2018-12-14 01:28:21 INPUTS L/R XYH-5 X/Y mic: Mic type: Unidirectional Sensitivity: -45 dB, 1 kHz at 1 Pa Input gain: -∞ to 52 dB Max sound pressure input: 140 dB SPL 2018/01/08 MIC/LINE IN: Connector: 1/8' stereo mini jack Input gain: - ∞ to 52 dB Input impedance: 2 k Ω or more Plug-in power: 2.5V supported Backup recording: -12dB lower than set L/R input gain 2018/01/08 INPUTS 1/2: Connectors: XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input gain (PAD OFF): -∞ to 55.0 dB Input gain (PAD ON): -∞ to 35.0 dB Input impedance: 1.8 k Ω or more Max input le. 2018/01/08 LINE OUT: Connector: 1/8' stereo mini jack Rated output level: -10 dBm Output load impedance: 10k Ω or more 2018/01/08 PHONE OUT: Connector: 1/8' stereo mini jack Output Level: 20 W +20 W into 32 Ω load STEREO MODE: WAV (BWF-compliant) Sampling frequency: 44.1/48/96 kHz Bit rate: 16/24 (Stereo) Maximum simultaneous recording tracks: 2 MP3 Sampling frequency: 44.1kHz Bit rate: 48/56/64/80/96/. 2018/01/02 MULTITRACK MODE: WAV (BWF-compliant) Sampling frequency: 44.1/48 kHz Bit rate: 16/24 (Mono/Stereo) Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup) 2018/04/02 Audio Interface operation: Multitrack mode: Class: USB 2.0 High Speed Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outputs: 4 / 2 2018/02/02 Audio Interface operation: Stereo mode: Class: USB 2.0 Full Speed Sampling frequency: 44.1/48kHz Bit rate: 16 bit Inputs / Outputs: 2 / 2 USB bus powered operation possible (iPad operation suppor. AA size (LR6) battery x 2 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power.

Score:65 2018-12-14 01:28:21 General Recording media: SD card: 16MB to 2GB,SDHC card: 4GB to 32GB Display: Backlit LCD (128 x 64 pixels) 2018/01/08 Inputs INPUTS L/R XYH-5 X/Y mic: Mic type: Unidirectional Sensitivity: -45 dB, 1 kHz at 1 Pa Input gain: -∞ to 52 dB Max sound pressure input: 140 dB SPL MIC/LINE IN: Connector: 1/8' stereo. 2018/01/08 Outputs LINE OUT: Connector: 1/8' stereo mini jack Rated output level: -10 dBm Output load impedance: 10k Ω or more PHONE OUT: Connector: 1/8' stereo mini jack Output Level: 20 W +2. 2018/01/02 Recording formats STEREO MODE: WAV (BWF-compliant) Sampling frequency: 44.1/48/96 kHz Bit rate: 16/24 (Stereo) Maximum simultaneous recording tracks: 2 MP3 Sampling frequency: 44.1kHz Bit rat.

2018/02/02 USB Mass Storage Class operation: Class: USB 2.0 High Speed Audio Interface operation: Multitrack mode: Class: USB 2.0 High Speed Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outp. Power Requirements AA size (LR6) battery x 2 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power. Score:2051 2018-12-11 10:38:39 Field Recorder Field Recorder FRC-8 F-Series Remote Controller For the iPhone, iPad, and iPod Touch For the iPhone, iPad, and iPod Touch Digital Mixer + Recorder Digital Mixer + Recorder Aero RhythmTrak Aero RhythmTrak Thunderbolt Audio Converter USB 3.0 Audio Converter Thunderbolt™ Audio Converter USB 3.0 Audio Converter Thunderbolt Audio Converter Recorder: Interface: Controller: Sampler Recorder: Interface: Controller Recorder: Interface: Controller: Sampler. Score:8031 2018-12-06 03:42:45 ※ 0dBu = 0.775 Vrms ※電池連続駆動時間はあくまで目安です。当社試験法によるものであり、使用環境により大きく異なります。 2018/08/01 Windows: OS: Windows® 7 SP1以降 / 8.1 / 10 (32bit, 64bit) CPU: Intel® Core i3以上. USB: USB 3.0 / 2.0. Atom、Celeron、Pentinumシリ-ズおよびAMD製CPUは動作保証外.

Intel製チップセット内蔵のUSBホストコントロ-ラ-のみ対応、USBハブ・拡張カ-ドでの使用は. 2010/09/05 Mac: OS: Mac® OS X 10.9.5以降 / 10.10 / 10.11 / 10.12 CPU: Intel® Core i3以上 USB: USB 3.0 / 2.0. USBハブ・拡張カ-ドでの使用は動作保証外 2018/07/01 iPhone / iPad: OS: iOS 7.1以降. 単3乾電池2個またはACアダプタ-(別売AD-17)、Apple iPadカメラコネクションキットまたはLightning-USBカメラアダプタ-が別途必要. Score:8976 2018-11-25 10:/02/04 Mic pre's Outfitted with our finest mic preamps to date, the F8 features an extremely low noise floor (−127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs. 2018/02/04 High-resolution audio and advanced limiters The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection.

Limiting can be applied to all. 2018/02/04 Time code with pinpoint accuracy The F8's time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-sol. 2018/02/04 Weight and build The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo inputs ever made. Weighing just 2.1 pounds (without batteries), its aluminum chas. Phantom power (+24V/+48V) can be turned on and off for each input individually.

Plug in any Zoom mic capsule. 10 tracks—8 input channels, plus a stereo mix track.—allow you to simultaneously record stereo and surround sound. An onboard mixer with flexible routing of all inputs and outputs (pre- and post-fader). Each channel has controls for pan, input/output delay, filtering, and limiting. The F8 can be mounted to a tripod and attached to your camera using the included mounting bracket.

Score:33 2018-11-25 10:/03/03 Recording Media Dual SD card slot supports: 16 MB–2 GB SD cards 4 GB–32 GB SDHC cards 64 GB–512 GB SDXC cards INPUTS: 1-8 Connectors: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot) INPUTS: XLR (MI. 2018/01/02 INPUTS: TRS (LINE) Input gain: −10 – +55 dB Input impedance: 28 kΩ Maximum input level: +24 dBu (at 0 dBFS, limiter ON) THD (Total Harmonic Distortion): 0.010% max (1kHz, 22Hz-22kHz B. 2018/03/05 OUTPUTS: SUB OUT 1/2 Connector: 3.5mm stereo mini unbalanced output jack Output impedance: 100 Ω or less Reference output level: −10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1.

Updated Zoom Uac-8 Audio Converter Firmware 1.10 For Mac Download

Recording formats: When WAV selected Supported formats: 44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit, mono/stereo/2-10 ch poly, BWF and iXML Maximum simultaneous recording tracks: 10 (8 inp. 2018/08/05 Time code Connector: BNC Modes: Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) Frame rates: 23.976ND, 24ND, 25ND, 29.97ND. 2018/08/05 Continuous recording time: When recording 8 channels at 48kHz/24-bit with headphones Alkaline batteries: 4.5 hours or more NiMH (2450mAh): 6 hours or more Lithium batteries: 8.5 hours or m. USB: Mass storage operation Class: USB 2.0 High Speed USB: Multitrack audio interface operation (driver required for Windows, not required for Mac) Class: USB 2.0 High Speed Specifications: 4. Score:28 2018-11-25 10:/01/02 INPUTS: TRS (LINE) Input gain: −10 – +55 dB Input impedance: 28 kΩ Maximum input level: +24 dBu (at 0 dBFS, limiter ON) THD (Total Harmonic Distortion): 0.010% max (1kHz, 22Hz-22kHz B. 2018/03/05 OUTPUTS: MAIN OUT 1/2 Connectors: TA3 connectors, balanced output (2: hot) Output impedance: 150 Ω or less Reference output level: −10 dBV (Normal Output Type), −40 dBV (Mic Output Type). D/A D/A dynamic range: 106 dB typical (−60 dBFS input, A-weighted) Recording formats: When WAV selected Supported formats: 44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit, mono/stereo/2-10 ch pol.

Recording formats: When MP3 selected Supported formats: 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags Maximum simultaneous recording tracks: 2 Recording time Using a 32GB card: 30:51:00 (48 kHz/2. 2018/04/06 Time code Connector: BNC Modes: Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) Frame rates: 23.976ND, 24ND, 25ND, 29.97ND. 2018/05/05 USB: Stereo Mix audio interface operation (no driver required) Class: USB 2.0 Full Speed Specifications: 44.1/48 kHz, 16-bit, 2-in/2-out Note: iPad audio interface operation supported (St. Score:380 2018-11-15 07:04:26 94エフェクト+22アンプ G3Xは94種類のギタ-エフェクトと、22種類のアンプ/キャビネットモデルを内蔵しています。 コンプレッサ-やノイズゲ-ト、フィルタ-やEQ、ワウはもちろんのこと、ブ-スタ-やオ-バ-ドライブ、ファズなどの歪み系エフェクト、フェイザ-やフランジャ-、コ-ラス、ピッチシフタ-、トレモロやビブラ-ト、リングモジュレ-ションなどのモジュレ-ション系エフェクトも充実。ま. TUNER / RHYTHM / LOOPER G3Xはサウンドだけでなく、より一歩進んだ便利機能も豊富に搭載しています。内蔵クロマティックチュ-ナ-はドロップチュ-ニングに含む幅広いギタ-チュ-ニングに対応できます。ディレイタイムやモジュレ-ション周期の設定をリアルタイムに行えるタップテンポ機能も内蔵。さらに40種類のリアルなPCMサウンドのリズムパタ-ンも内蔵し、幅広い音楽ジャンルや拍子.

EXPRESSION PEDAL ジミ・ヘンドリックスやエリック・クラプトンを筆頭に、多くのギタリストにとって必要不可欠なワウペダル。G3X には著名なヴィンテ-ジ・ワウのモデリングが搭載され、エクスプレッションペダルでそのサウンドを再現することが可能です。オ-トアサイン機能でペダルへのセッティングも自動的に完了し、煩わしい操作無しにすぐにプレイできます。さらに、ピッチシフト、ボリュ-ムなど. Score:253 2018-11-15 07:04:26 G3Xは94種類のギタ-エフェクトと、22種類のアンプ/キャビネットモデルを内蔵しています。 コンプレッサ-やノイズゲ-ト、フィルタ-やEQ、ワウはもちろんのこと、ブ-スタ-やオ-バ-ドライブ、ファズなどの歪み系エフェクト、フェイザ-やフランジャ-、コ-ラス、ピッチシフタ-、トレモロやビブラ-ト、リングモジュレ-ションなどのモジュレ-ション系エフェクトも充実。また、クラシックからモダンまで幅広いエミュレ-ションエフェクトも数多く内蔵しています。例えば、MXR DynacompやDistor. 全22種類のアンプモデルには、ビンテ-ジからモダンに至るまでのチュ-ブアンプやソリッドステ-トアンプのエミュレ-ションを幅広く内蔵しています。FenderやMarshall、Matchless、MESA/Boogie、Sound City、Hiwatt、Orange、Tow Rock、Diezel、ENGLの各種アンプモデルを内蔵。各アンプ固有のキャビネット・モデリングを搭載し、スピ-カ-の数やキ.

Score:26-01-01 00:00:00 (I) 2017//02/27 For users of the B3n, Zoom Guitar Lab offers monthly updates featuring new Amp+Cabinet combinations, Stompboxes, and preset patches. Here's a list of new patches, emulators,. 2017///02/22 G5n ASIO Driver for Windows Version 1.1.0 has been released to be compliant with the extended validation (EV) code signing certificate. You can downloand the new ASIO driver at the. 2017///02/21 New Firmware V2.0 for G5n Multi-Effects Processor for Guitarists Our G5n offers the finest collection of guitar effects we've ever created.and it's about to get even better with.

2017///02/13 Recommended batteries: To extend continuous shooting time, following batteries are recommended. Alkaline batteries Panasonic EVOLTA SONY STAMINA Maxell VOLTAGE. Score:16-01-01 00:00:00 (I) 2016//07/30 Users of the Zoom G5n MultiEffects Pedal for Guitarists and the Zoom Guitar Lab software receive monthly updates featuring new patches from Zoom and our G5n Creators, new Stompboxes,.

2016///07/15 From July 15 to August 15, Steinberg offers Cubase LE customers value-packed upgrades to Cubase Pro 8.5 and Cubase Artist 8.5 at an exceptional price. The latest Cubase generation, used. 2016///07/06 IMPORTANT NOTICE. Distribution of HandyShare for Windows is temporarily suspended. Apple has recently released a report of a serious vulnerability when using Quicktime for Windows. Score:16-01-01 00:00:00 (I) 2016//04/15 Users of the Zoom G5n MultiEffects Pedal for Guitarists and the Zoom Guitar Lab software receive monthly updates featuring new patches from Zoom and our G5n Creators, new Stompboxes,.

2016///04/13 The 2016 NAB Show is being held from April 16-April 21 in Las Vegas, Nevada. NAB is one of the biggest trade shows focused on the future of media and entertainment.

Zoom will be in. 2016///04/01 ZOOM INTO MUSIKMESSE 2016MusikMesse 2016—the international trade fair for musical instruments and music production products—takes place April 7-10 in Frankfurt, Germany. Zoom will introduce. Score:9-01-01 00:00:00 (I) 2018//01/01 U-24/U-44 Driver for Windows version 1.1.0 has been released to correct the following issue: Even if the U-24/U-44 connected to a PC is turned off, the driver indication on the. 2018//01/10 Zoom U-Series firmware version 1.10 has been released to correct the following issue: Zoom U-Series (U-22 / U-24 / U-44) sometimes not recognized on Mac. Download the latest U.

2018/01/19 This week Zoom will be attending Winter NAMM 2017. The convention takes place at the Anaheim Convention Center in Anaheim, California January 19th-22nd. Each day of the convention will be. 2018//01/10 System version 1.10 for the Zoom F4 has been released to correct the following issues: F4 sometimes freezes when pressing the MENU key immediately after startup.

When turning. Score:7-01-01 00:00:00 (I) 2016//05/19 Users of the Zoom G5n MultiEffects Pedal for Guitarists and the Zoom Guitar Lab software receive monthly updates featuring new patches from Zoom and our G5n Creators, new Stompboxes,. 2016///05/13 H2n firmware version 2.00 has been released, with newly added support for Spatial Audio recording mode and the Google JUMP Virtual Reality platform. This mode records in a format that is. 2016///05/09 Recently, a problem has been observed when using the SHURE SM93 lavalier microphone. When plugged in directly to the F8, the preamp can not be removed by pushing the release button. Score:2-01-01 00:00:00 (I) 2018//08/05 Top 5 reasons to upgrade to Cubase Pro 8.5 Cubase Pro condenses almost three decades of Steinberg development into the most cutting-edge DAW anywhere.

Used by star producers and musicians for composin. 2018//08/05 More tracks: Up to 64 audio tracks, 128 MIDI tracks, 32 instrument tracks and instrument rack slots, 32 groups and 32 physical inputs 2018/08/05 More instruments: Retrologue 2, Padshop, Spector, Mystic, LoopMash 2 and Groove Agent SE 4 for a total of over 3,000 instrument and drum sounds 2018/08/05 More effects: Adding finest audio effects and 18 MIDI processors, including VST Amp Rack, VST Bass Amp, Quadrafuzz v2.

REVelation, the full version of Voxengo's CurveEQ, the famous Beat Designer and m. 2018/08/05 More editing: Lightning-fast multitake comping workflow, TrackVersions and Note Expression support 2018/08/05 Render-in-place: Bounce MIDI and audio parts easily.

Score:-01-01 00:00:00 (I) 2018/05/06 インプット5/6はモニタ-用のカメラリタ-ンとしても使用可能。DSLRカメラの音声出力をRTN(インプット5/6)端子に入力することで、録音することなくヘッドフォンからモニタ-することができます。 2枚のSDカ-ドに同時録音 2018/01/02 インプット1/2には、通常の録音に加えて、異なる入力レベルに調節した音声をもう1つのファイルに録音する「デュアルチャンネルRECモ-ド」を搭載。たとえば、通常の録音のほかに入力レベルを12dB 下げたデュアルチャンネル録音を行うことで、通常の録音トラックのレベルが高すぎて歪んでしまったときなどに、差し替えることができます。(US Patent 10033344) 素早く設定できるショ-トカット 2018/05/06 Neutrikタイプのロック機構付きXLR/TRSコンボコネクタ-を4系統独立で装備。各インプットにはゲイン調整ノブ付きのプリアンプ、ファンタム電源、6セグメントLEDレベルメ-タ-、録音スタンバイスイッチ、PFLスイッチを個別に装備。トラック5/6用にはステレオミニのラインインプット、またはZOOMマイクカプセルを使用可能。また、録音レベルのチェックに便利な、様々な周波数で発振可能なスレ-トト. 2018/01/09 1.9インチのホワイトバックライト液晶を採用。見やすく鮮明な画面で 2018/10/12 Cubase LE9(Mac OS X 10.11 / 10.12 / 10.13用、Windows 7 / 8.1 / 10用) 2018/10/10. Score:-01-01 00:00:00 (I) Zoom's New B3n Multi-Effects Processor Offers Bassists Authentic Emulations and a Versatile Pedalboard Experience New multi-effects processor offers realistic effect, amp, and cabinet emulators in a compact, intuitive design 2017/01/18 — Zoom Corporation today unveiled the new B3n Multi-Effects Processor, a bass guitar pedal that offers a wealth of realistic stompbox, amplifier, and cabinet emulations, as well as an intuitive editin. The B3n comes with all the effects and emulators a bassist could want, including 67 DSP stompbox effects and 10 of the most realistic bass amp and cabinet emulators you'll find in a pedal at this pric.

The B3n is sleek and compact with essential inputs and outputs for easy integration into any live performance or studio rig. Three independent LCD screens let bassists see their entire effects chain a.

The B3n includes free Zoom Guitar Lab software which lets bassists manage new patches as well as download effects and amp/cabinet simulators. 2017/03/01 The Zoom B3n will be available in stores March 2017. © 2017 ZOOM Corporation. All Rights Reserved.

Score:-01-01 00:00:00 (I) Power Requirements: AA size (LR6) battery x 4 External DC power supply 9–16 V 2018/08/05 Battery Operation Time: Alkaline batteries: 8.5 hours or more NiMH (2450mAh): 12 hours or more Lithium batteries: 16.5 hours or more 2018/01/04 Connectors: TO F Series: USB (Type A) KEYBOARD: USB (Type A) FROM F Series HEADPHONE: 1/4' unbalanced stereo phone HEADPHONE: 1/4' unbalanced stereo phone 9-16V DC IN: HIROSE HR10A-7R-4S 4-pin conne. 2018/02/05 Power Consumption: 2.5 W Dimensions: 245.0 mm (W) x 180.7 mm (D) x 47.4 mm (H) Weight: 980 g (without batteries). Score:-01-01 00:00:00 (I) Zoom R24 Recorder: Interface: Controller: Sampler Multitrack recording has never been easier The R24 provides 24 tracks for recording and playback (up to 8 tracks can be recorded simultaneously) in full fidelity WAV format (16 or 24-bit, at 44.1 o. The R24 is a pad sampler and rhythm machine too. Eight velocity-sensitive pads allow the triggering of up to 24 samples, drum sounds, or loops.

400 internal loops and drum patterns are provided. In addition, you can create your own custom samples and loops from recorded audio tracks. Quantization and time-stretching can be applied to ensure perfect synchronization. Three playback modes are av. Best of all, the R24's multitrack recorder is fully integrated with the pad sampler and rhythm machine, allowing a wide variety of production styles to be accommodated.

However you choose to build you. Control your DAW If you use DAW (Digital Audio Workstation) software, you probably love mixing in the box but hate mixing with a mouse. The R24 provides the perfect solution. Mackie Control™ emulat. 2018/04/05 Advanced features The R24 offers eight inputs on combo connectors that can accept either XLR or ¼' balanced or unbalanced cables.

All inputs can handle mic/line/instrument level signals, and Input. Score:-01-01 00:00:00 (I) 超低ノイズ設計のマイクプリアンプ 上位モデル『F8』と同様の、最高水準のマイクプリアンプを搭載。最高24ビット/192kHzまでのハイレゾ録音が可能なクリアな音質を実現。しかも超低ノイズフロア(-127dBu EIN)、ハイゲイン(最大75dB)。さらに、PAミキサ-や放送機器など業務用音響機器で標準の+4dBラインレベル入力にも対応。 24時間で誤差 0.5フレ-ム以内!正確無比なタイムコ-ド タイムコ-ド・ジェネレ-タにTCXO(温度補償水晶発振器)を採用、同価格帯では類をみない、0.2ppm(24時間で誤差 0.5フレ-ム以内)の正確なタイムコ-ドの生成を実現。オ-ディオと映像の完璧な同期が可能です。また、一般的なドロップフレ-ム、ノンドロップフレ-ムのすべてに対応し、 外部機器からのタイムコ-ドに対するジャムシンクにも対応. オ-バ-ロ-ドを防ぐ、強力な内蔵リミッタ- 音量差が激しい環境下での収録でもオ-バ-ロ-ドによる歪みをしっかりと防ぐ新設計のリミッタ-を内蔵。4チャンネルの入力それぞれに独立して使用でき、10dBのヘッドマ-ジンを持つことにより通常のリミッタ-より歪みにくく、信号を設定したスレッショルド以下に抑えることができます。スレッショルド、アタック、リリ-スなどの細かな設定も可能です。(US Patent. Score:8146 1970-01-01 00:00:00 (I) 2018/02/05 Thunderbolt: The ultimate in high-speed connectivity More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the.

2018/01/04 The Ins and Outs The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2. Two combo XLR/TRS inputs are provided for the connec. Zoom TAC-2 MixEfx TAC-2 MixEfx is a free Macintosh application designed specially for the TAC-2. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Score:8031 1970-01-01 00:00:00 (I) ※ 0 dBu = 0.775 Vrms ※ 電池連続駆動時間はあくまで目安です。当社試験法によるものであり、使用環境により大きく異なります。 2018/08/01 Windows: OS: Windows® 7 SP1以降 / 8.1 / 10 (32bit, 64bit) CPU: Intel® Core i3以上. USB: USB 3.0 / 2.0. Atom、Celeron、Pentinumシリ-ズおよびAMD製CPUは動作保証外.

Intel製チップセット内蔵のUSBホストコントロ-ラ-のみ対応、USBハブ・拡張カ-ドでの使用は. 2010/09/05 Mac: OS: Mac® OS X 10.9.5以降 / 10.10 / 10.11 / 10.12 CPU: Intel® Core i3以上 USB: USB 3.0 / 2.0. USBハブ・拡張カ-ドでの使用は動作保証外 2018/07/01 iPhone / iPad: OS: iOS 7.1以降. 単3乾電池2個またはACアダプタ-(別売AD-17)、Apple iPadカメラコネクションキットまたはLightning-USBカメラアダプタ-が別途必要. Score:5296 1970-01-01 00:00:00 (I) The Zoom F8 MultiTrack Field Recorder What will you create? Comprehensive headphone monitoring Out in the field, it's important to be able to quickly check levels as you're recording.

With the F8, it's simple. A single display lets you monitor single or mul. Inputs The F8 provides 8 discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input has a dedicated gain control knob, a 6-segment LED level meter, and Record Ready and PFL switch. Outputs In addition to its ¼' headphone jack with dedicated volume control, the F8 provides four outputs: two Main Outs (on balanced TA3 mini-XLR jacks) for connection to external mixers and processin. Time code and USB Time code I/O is provided on BNC connectors.

A USB port enables firmware updates, file transfer, and allows the F8 to be used as an 8-in/4-out USB audio interface operating at sample. The software The F8's menu is easy to navigate and has a simple file structure. Cataloging is straightforward, with extensive metadata (both BWF and iXML), which can be entered directly on the F8 o. Score:5113 1970-01-01 00:00:00 (I) 2018/01/08 Unrivaled Audio Zoom has a long-standing reputation for products with outstanding audio, and the Q4n is no exception. It supports high-resolution 24-bit / 96 kHz stereo sound and its built-in micr. We're Tweaky About Audio (but you already knew that) The Q4n's built-in microphones can be instantly configured for either A/B or X/Y stereo recording. So what's the difference?

A/B Recording. The Q4n offers features that make it easy to use, including one-button recording, automatic microphone gain adjustment, and a rotating full-color touchscreen LCD. The Camera fo. Connect and Share A USB port lets you connect your Q4n to any computer or iPad. so you can use it as a web camera or USB microphone. You can also stream live, transfer recordings, and recharge your.

Card Types, Power Options, and File Formats Extended recording times The Q4n records directly to SD/SDHC/SDXC cards up to 128 GB. It's perfect for podcasts, blogs, and capturing performances. Score:3955 1970-01-01 00:00:00 (I) USB 3.0 SuperSpeed The USB 3.0 SuperSpeed transfer protocol used by the UAC-8, with a speed of 2.0 ms roundtrip @ 96kHz / 32 samples, is ten times faster than USB 2.0 and six times faster than Fire. INPUTS The UAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals, and you can even plug instruments directly in. OUTPUTS The UAC-8 has dual balanced analog TRS output jacks for connection to monitors, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to exte.

DIGITAL I/O 8 ADAT and stereo S/PDIF digital inputs/outputs allow for the connection of up to 10 external channels, and built-in Word Clock enables easy integration into any system. In addition, MIDI. Score:3568 1970-01-01 00:00:00 (I) Onstage Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop. With its Thunderbolt speed, high quality converters, and rugged chassis, you.

In your home and office Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio—all. In the studio The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ens.

MIDI The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machine. 2018/02/05 Thunderbolt Fast. Creator Driven. More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the interconnection tec. The Hardware The Thunderbolt port on the rear panel carries digital signal to and from your computer in addition to providing power to the TAC-2R—no external power required. Dual front panel combo. Score:2664 1970-01-01 00:00:00 (I) いつの時代も、シ-ンを塗り変えてきたのはクリエイタ-。 映像体験を一新する高品位サウンド。そのために誕生したZOOM F4。今この手に、ハリウッド品質のサウンドを。 クリエイタ-本位で開発されたF4。 しかも、驚きの低価格。 2018/03/05 4系統のXLR/TRSインプット、3.5mmステレオインプット、さらにZOOMマイクカプセルインプットを装備し、最大6トラックとステレオトラックの合計8トラックのマルチトラックレコ-ディングが可能。しかも最高24ビット/192kHzでのハイレゾレコ-ディングをサポ-ト。 カメラリタ-ン 最大512GBのSDXCカ-ドに対応する2つのSDカ-ドスロットを装備する『F4』は、2枚のSDカ-ドへの同時録音が可能。1 枚のカ-ドが途中で音飛びしてしまった場合などのバックアップ用として使用できます。また、一方のSD カ-ドにはミックス前の1 〜 6 トラックを、もう一方のSD カ-ドにはすべてのトラックをミックスしたL/R トラックのMP3 デ-タを録音する、スプリットレコ-ディングも可能.

録音中のオ-ディオデ-タは定期的にSDカ-ドへ記録されます。これにより、電池切れや誤ってSDカ-ドを取り外してしまった場合など、予期せぬトラブルが発生しても録音デ-タを失ってしまうことがありません。 デュアルチャンネル録音 ショ-トカット機能により主なメニュ-や機能に簡単にアクセス可能。たとえば、OPTIONボタンと任意のトラックキ-の同時押しにより、外部タイムコ-ドとジャムシンクする「TC Jam」、複数トラックの入力レベルを同時に調節する「Trim Link」、クリップインジケ-タ-のクリアなど、各種設定メニュ-の呼び出しや操作をスピ-ディ-に行うことが可能です。 シチュエ-ションを選ばない3電源対応 『F4』は単三乾電池8本で駆動できるほか、9〜16Vの外部DC電源を4ピンHIROSEコネクタで接続して使用することも可能。外部DC電源のシャットダウン電圧を設定し、電圧が下回った際に自動的に乾電池駆動に切り替えて、レコ-ディングを継続させることも可能です。また、付属ACアダプタ(AD-19)をHIROSEコネクタに接続できるDC-HIROSEケ-ブル(DHC-1)が同梱され、屋内ではコンセントか. ZOOMマイクカプセルを使用可能 標準ステレオジャックの専用ボリュ-ム付きヘッドフォン端子に加え、4系統のアウトプットを装備。外部ミキサ-やエフェクトプロセッサ-への接続に便利な2系統のXLRバランス出力に加え、カメラとの接続に便利な2系統のミニステレオ出力も装備。また、フロントパネルのOUTPUTボタンで出力レベルや信号のル-ティング設定などの機能に簡単にアクセスできます。 タイムコ-ドの入出力にはBNCコネクタ-を採用。USBポ-トはファ-ムウェアのアップデ-トや録音ファイルの転送に便利です。また、最高96kHz対応の6イン/4アウトのUSBオ-ディオインタ-フェ-スとしても動作可能です。. ホコリの多い場所などの厳しい環境下でも高い視認性を発揮する、 レコ-ダ-の動作状況や各種設定を快適にモニタ-できます。 ファイル管理はロジカルに SDカ-ド上に記録された録音ファイルは、シ-ン別/テイク別のフォルダに分かりやすく整理され、ポストプロダクション作業を容易にします。さらに、『F4』本体の操作で、テイク名やフォルダ名などのリネ-ムや、時刻/日付/プロジェクト名/シ-ン番号等を記録できるメタデ-タ(BWF/iXML対応)の編集も行えます。 臨場感溢れる迫力のサウンド。 プロクオリティのオ-ディオ収録が可能な『F4』。 すべては、最前線で活躍するクリエイタ-のために。. Score:2492 1970-01-01 00:00:00 (I) Zoom TAC-2 Thunderbolt Audio Converter Routing audio signal to and from editing software Just connect the TAC-2 to your computer via Thunderbolt and then plug the audio source (such as a portable recorder, mixing console, or music playe. Recording voice and instruments into a DAW Enhance your music by adding your own instruments and voice. The TAC-2 makes it easy to do: Simply connect microphones and instruments to the inputs and t.

Onstage playback of audio from your computer during live performance Got some great sounds in your laptop? The TAC-2 can bring them to life—simply connect it to your computer with a Thunderbolt cab. Listening to high-resolution streaming audio through headphones or connected speakers MP3s can sound good, but high resolution audio files—24/96 or 24/192 WAVs—sound way better. Now you can enjoy s. 2018/10/11 Accessories Here's what comes included with the TAC-2: Operation manual Thunderbolt cable Video of Zoom TAC-2 Zoom TAC-2 Learn about the Zoom TAC-2 Thunderbolt Audio Converter Video of Zoom TAC-2: Getting started with Zoom TAC-2 Thunderbolt Audio Converter Zoom TAC-2: Getting started with Zoom TAC-2 Thunderbolt Audio Converter This tutorial lays out how to operate and ins.

Score:2246 1970-01-01 00:00:00 (I) Recording With 8 analog inputs, 10 digital inputs, and the ability to record and play back 8 channels simultaneously, the TAC-8 allows you to record what you want, when you want. Lay down full back. On Stage Whether you're a one-man band with an epic onstage rig or your laptop is serving as the central hub for multiple musicians accessing software effects and virtual instruments, the TAC-8 all.

Thunderbolt Speed. Revolutionary Recording. Thunderbolt technology opens up new doors for creators. More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve tim.

Analog I/O The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals.

Inputs 1 and 2 can also accept instrum. Digital I/O The TAC-8 provides 10 channels of digital inputs and outputs, including 8 channels of I/O on ADAT Optical connectors and an additional 2 channels on S/PDIF connectors. In addition, Word.

Additional features In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer. The TAC-8 perfor. Score:1993 1970-01-01 00:00:00 (I) Zoom H1 Handy Recorder Recording live concerts and rehearsals. Capturing audio for video. Documenting lectures and meetings—faster and easier than taking notes! Conducting interviews in the field.

Capturing song ideas. The X/Y technique provides a great way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it perfect for all types of live stereo recording. The H1's built-in X/Y microphone provides two matched unidirectional microphones set at a 90 degree angle relative to one another, optimum for most stereo recording applications.

Alternatively, you can connect a pair of external microphones or line level signal to the H1's Mic/Line Input mini phone jack for X/Y or other types of stereo recording. 2018/02/05 The Ins and Outs The H1 Mic/Line Input is a stereo ⅛' mini phone jack that can accept two mic- and/or line-level signals.

Condenser microphones requiring Plug-In Power (2.5 volts) can be connected. Auto Level and low cut filter The H1's Auto Level function sets input gain automatically to prevent overload and distortion. Alternatively, input level can be set manually.

The H1 also provides a. File types supported The H1 records audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the re.

Battery life and recording times The H1 requires just a single AA battery—either alkaline or rechargeable NiMH—for power. Battery life when using an alkaline battery is up to 10 hours, even dur.